List of Works
Oriental Scholar for solo flute 1986
The Response for horn and drums 1987
The Lucky Number Four for marimba and piano 1987
The Red Line for orchestra 1988
The Space and Sound for vibraphone and piano 1990
Empty Mind for solo cello 1991
Quartet for two violins, viola, and cello 1993
My Song for soprano, cello and piano 1996
Anonymous Weed for baritone and piano 1997
Love in Child for trumpet and piano 1998
Prayer I for string orchestra 2000
Prayer II for solo organ 2001
Deep in Mind for solo cello 2001
Dead Leaves in City for baritone, violin, and piano 2001
Masque Dance for baritone and piano 2002
A Trip into Life for flute and piano 2002
Memory of Good Old Days for violin, cello, and piano 2002
Psalm 121 for soprano and piano 2003
New Arirang for soprano and piano 2003
Psalm 23 for voice and piano 2004
Releasing Deep Grief for orchestra 2004
Requiem for seven cellos 2004
At the Heaven’s Gate for flute, trumpet, and piano/celesta 2006
Psalm 51 for baritone and piano 2006
A Dance of the Woman for solo piano 2007
Lost in Mind for solo cello 2007
Get Lost for solo flute 2007
Fanfare for All of Us for orchestra 2008
Ten Little Pieces (Preludes and Postludes) for Service for solo organ 2008
Psalm 121 for mixed chorus 2009
The Words from Heart for solo cello 2009
Gae-Jeoc San for soprano, cello, and piano 2009
Music Examples
New Arirang
Example 1: mm. 10-21 (with emphasis on minor seconds and tritones, although the contour is similar to the original folk song).
A Trip into Life
Example 1: mm. 1-24 (section one outlining descending tritone with emphasis on minor seconds, and beginning of more animated section two with piano chords outlining fifths, tritones and augmented octaves).
Example 2: mm. 104-127 (section five with piano chords outlining conflicting tritones, and beginning of section six with further variants of the opening melodic ideas).
Memory of Good Old Days
Example 1: movement 1, mm. 1-24 (motives emphasizing major thirds, leading to stepwise melodic ideas outlining increasingly larger intervals).
Example 2: movement 3, mm. 1-15 (series of ascending thirds outlining major sevenths, contrapuntal texture).
Example 3: movement 4, mm. 1-15 (emphatic, clashing harmonies).